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Who is John Cage?
Jump to navigation Jump to search. John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde.
What happened to John Cage in the 1940s?
Like his personal life, Cage’s artistic life went through a crisis in mid-1940s. The composer was experiencing a growing disillusionment with the idea of music as means of communication: the public rarely accepted his work, and Cage himself, too, had trouble understanding the music of his colleagues.
How did John Cage get started in Zen?
Cage sought out Suzuki’s classes, and found release from the self-judgment and fear that shattered him in the 1940s. Zen showed Cage his true nature: peaceful, loving, joyful. His response was immediate: He would put all these soaring insights into his music. to good living. — John Cage Art and life are one reality, Cage knew.
Why is John Cage important to music?
A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.
What is the John Cage Trust?
The John Cage Trust was established in 1993 as a not-for-profit institution whose mission is to gather together, organize, preserve, disseminate, and generally further the work of the late American composer, John Cage.
Why didn’t John Cage write cheap imitation?
Although Cage’s affection for Satie’s music was well-known, it was highly unusual for him to compose a personal work, one in which the composer is present. When asked about this apparent contradiction, Cage replied: “Obviously, Cheap Imitation lies outside of what may seem necessary in my work in general, and that’s disturbing.
What was John Cage’s first ever notated work?
Also in 1969, Cage produced the first fully notated work in years: Cheap Imitation for piano. The piece is a chance-controlled reworking of Erik Satie ’s Socrate, and, as both listeners and Cage himself noted, openly sympathetic to its source.